The Last Decade of Eames Furniture
In their final years of furniture design, the Eameses reimagined earlier works using new materials and technology to meet the evolving needs of modern workplaces.
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Eames
Institute
Family Seating Fiberglass Shell Prototype
680 Dining Chair — Prototype Upholstery 1
“Compliments of Evans Products Co.” Postcard
Swiss Top
Kettler Car / Kettcar
ES106 Eames Chaise
Japanese Toy Fish Game
“Alarm” Toy Boat
Circus Mirror
“New York” Toy Boat
EC121 Adjustable Stool Swivel with 1730 Arm Shell
To Hofmann, Love from Buddha
DKR-1 Upholstered Wire Chair
“Grand Duke” Ives Toy Train
DSX-36 Secretarial Pull-Up Chair
ET122 Dining Table
Child’s Stool
Butterfly Kite
Study for Plyformed Wood Company Logo
LKR-1 Upholstered Wire Chair
IBM Pavilion, New York World’s Fair 1964–65 Postcard
EC127 Upholstered Pull-up Chair
Photograph of Steinberg Drawing Projected onto Hedda Sterne Tilting Face
White Horse Mask
Wire Shell
ES108 Eames Sofa
Photograph of Steinberg Drawing Projected onto Hedda Sterne with The Toy in Background
Metropolitan Cathedral of Our Lady of Monterrey, Mexico
Photograph of Steinberg Drawing Projected onto Hedda Sterne with Hands in Lap
EC431 Side Chair
DSR Fiberglass Side Shell Chair
Fashion Drawing: Blue and Red Dress with Green Bolero Jacket
The Last Whole Earth Catalog
Fashion Drawing: Black Pleated Day Dress
Red and Green Top
Airplane Rudder Skin
Child’s Chair
Studies for Leg Splint Sculpture
EC434 Adjustable Tilt-Swivel Armchair
“Keep Out of the Kazam Please” Note
House & Garden magazine, November 1946
Portrait of Ray
Paper Template for Plywood Sculpture
MKX-1 Upholstered Wire Chair
“Sea Things” Tray
Molded Plywood Shell with Tape
ES102 Intermediate Chair
EC123 Adjustable Stool Swivel Side Shell
Fashion Drawing: Party Dress
Airplane Pilot’s Seat
Handmade Fiberglass Study for Side Shell
DTM-20 (Dining Table Metal)
Minimum Chair Prototype
“A St. Louisan’s Mexican Diary—in Water Colors”,
DSS-1 Stacking Side Chair
Chutes & Ladders/Red Riding Hood Game
DKR-1 “C” Upholstered Wire Chair
The Eames Collection contains more than 40,000 objects spanning the expansive creative practice of Ray and Charles Eames. Drawn largely from the Eames Office at 901 Washington Boulevard in Venice, California, the holdings—which the Eames family asked the Institute to safeguard—include one-of-a-kind design prototype parts and pieces, early examples of their iconic furniture, extensive photographs, correspondence, tools, ephemera, and personal artifacts collected over decades of experimentation, travel, and collaboration. Together, these materials provide the world’s most intimate view into the Eameses’ work, which shaped, and continue to shape, modern design across furniture, architecture, exhibition design, film, and visual communications.
The Collection exists today because Lucia Eames as the owner and Llisa Demetrios as registrar spent decades caring for and archiving the materials that remained outside institutional archives. Believing Ray and Charles’s iterative process to be as important as their finished work, incredible care has been put into accounting for virtually every piece of material at the closure of the Eames Office in Venice, California. Today, the Eames Institute stewards the Collection through ongoing cataloging, preservation, research, and public engagement, ensuring that this remarkable archive is accessible to current and future generations at the Eames Archives, Eames Ranch, and the Institute’s forthcoming museum, as well as through loans to peer institutions.
In their final years of furniture design, the Eameses reimagined earlier works using new materials and technology to meet the evolving needs of modern workplaces.
The Eameses’ eclectic collection of toys goes beyond fun and games, it also offers a window into the couple’s singular approach to design.
In the summer of 1950, the artist Saul Steinberg spent a day at play within the Office of Charles and Ray Eames resulting in an iconic collaboration.
Eames chairs have always stolen the spotlight, but an adjacent thirty-year legacy of table designs demonstrates the designers’ same thoughtful approach to problem-solving.
From scraps and scribbles to maquettes and models, the Eames Collection contains countless examples that illustrate Ray Eames’s unique working methods and iconic collaborations.
The Eames Aluminum Group originated as outdoor furniture for a specific architectural commission, but has subsequently become one of the most recognizable and successful Eames designs.
From promotional tools created by the Eameses, to communication devices from a bygone era, postcards offer a unique window into Ray and Charles’s world.
The Eameses’ quest to create a comfortable and affordable shell chair from a single material led to two iconic designs—and limitless permutations.
As World War II raged overseas, Ray and Charles turned their practice toward the war effort, and in the process learned lessons that set the stage for a life in design.
By the time Ray Kaiser met Charles Eames in 1940 each had led remarkable lives marked by restless curiosity and creative pursuits.