The Last Decade of Eames Furniture
In their final years of furniture design, the Eameses reimagined earlier works using new materials and technology to meet the evolving needs of modern workplaces.
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Eames
Institute
“It’s Child’s Play” Postcard
“Columbia” Toy Boat
EA208 Swivel Armchair
EA423 Eames Soft Pad Ottoman
Child’s Stool
Paper Study for Side Shell
Rebus Christmas Card
EC428 Operational Stool
Toy Steam Boat
Balance Toy
Velocipede Tricycle
“New York” Toy Boat
Red Aniline CTW (Coffee Table Wood)
Family Seating Fiberglass Shell Prototype
Spring Backstage (
Eames Soft Pad Armchair on Drafting Chair Base Prototype
Black Bird Kite
Photograph of Steinberg Drawing Projected onto Hedda Sterne with The Toy in Background
Blue and White English Top
Splint Label for Evans Products Company
EC176 Loose Cushion Armchair (Glides)
Scale Study for Plyformed Wood Company Logo
Steinberg Galerie Maeght Poster (1953)
Molded Plywood Table with Tubular Aluminum Base
EA322 Reclining Arm Chair
PSC-06, Pivoting Side Chair, Upholstered
EC328 Secretarial Chair (Naugahyde)
680 Dining Chair — Prototype Upholstery 1
Bird Kite with Legs
Fiberglass Side Shell
MKX-1 Upholstered Wire Chair
Mexican Top
EA 323 Ottoman
MKX-1 “D” Wire Chair
DSS-1 Stacking Side Chair
Le Cirque Board Game
EC328 Secretarial Chair (Fabric)
Walnut Stool, 412
EA216 Swivel Lounge Armchair
DKR-1 “C” Upholstered Wire Chair
EC123 Adjustable Stool Swivel Side Shell
“Christmas Greetings from the Chomeaux” Christmas Card
Mont-Saint-Michel, Normandy, France
Japanese Top
Fiberglass Side Shell
Beigoma Top
Handmade Fiberglass Study for Side Shell
Fiberglass Side Shell
Fiberglass Side Shell
DSX-1 Upholstered Side Chair
Diploma for Charles Eames
Fiberglass Side Shell
Fiberglass Armchair with Steinberg Nude
Goldfish Kite
Chutes & Ladders/Red Riding Hood Game
Fiberglass Side Shell
ECS Brochure
Fashion Drawing: Blue and Red Dress with Green Bolero Jacket
Fashion Drawing: Black Pleated Day Dress
Small Leg Splint Sculpture
The Eames Collection contains more than 40,000 objects spanning the expansive creative practice of Ray and Charles Eames. Drawn largely from the Eames Office at 901 Washington Boulevard in Venice, California, the holdings—which the Eames family asked the Institute to safeguard—include one-of-a-kind design prototype parts and pieces, early examples of their iconic furniture, extensive photographs, correspondence, tools, ephemera, and personal artifacts collected over decades of experimentation, travel, and collaboration. Together, these materials provide the world’s most intimate view into the Eameses’ work, which shaped, and continue to shape, modern design across furniture, architecture, exhibition design, film, and visual communications.
The Collection exists today because Lucia Eames as the owner and Llisa Demetrios as registrar spent decades caring for and archiving the materials that remained outside institutional archives. Believing Ray and Charles’s iterative process to be as important as their finished work, incredible care has been put into accounting for virtually every piece of material at the closure of the Eames Office in Venice, California. Today, the Eames Institute stewards the Collection through ongoing cataloging, preservation, research, and public engagement, ensuring that this remarkable archive is accessible to current and future generations at the Eames Archives, Eames Ranch, and the Institute’s forthcoming museum, as well as through loans to peer institutions.
In their final years of furniture design, the Eameses reimagined earlier works using new materials and technology to meet the evolving needs of modern workplaces.
The Eameses’ eclectic collection of toys goes beyond fun and games, it also offers a window into the couple’s singular approach to design.
In the summer of 1950, the artist Saul Steinberg spent a day at play within the Office of Charles and Ray Eames resulting in an iconic collaboration.
Eames chairs have always stolen the spotlight, but an adjacent thirty-year legacy of table designs demonstrates the designers’ same thoughtful approach to problem-solving.
From scraps and scribbles to maquettes and models, the Eames Collection contains countless examples that illustrate Ray Eames’s unique working methods and iconic collaborations.
The Eames Aluminum Group originated as outdoor furniture for a specific architectural commission, but has subsequently become one of the most recognizable and successful Eames designs.
From promotional tools created by the Eameses, to communication devices from a bygone era, postcards offer a unique window into Ray and Charles’s world.
The Eameses’ quest to create a comfortable and affordable shell chair from a single material led to two iconic designs—and limitless permutations.
As World War II raged overseas, Ray and Charles turned their practice toward the war effort, and in the process learned lessons that set the stage for a life in design.
By the time Ray Kaiser met Charles Eames in 1940 each had led remarkable lives marked by restless curiosity and creative pursuits.