The Last Decade of Eames Furniture
In their final years of furniture design, the Eameses reimagined earlier works using new materials and technology to meet the evolving needs of modern workplaces.
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Eames
Institute
Family Seating Fiberglass Shell Prototype
EC434 Adjustable Tilt-Swivel Armchair
IBM Pavilion, New York World’s Fair 1964–65 Postcard
MSX-1 Upholstered Side Chair
DTW-30 Table
Cast Spreader 1
Fashion Drawing: Evening Dress in Black and Gray
Cast Spreader 2
Child’s Stool
“The Best Tree Tea” Illustration
Scale Study for Plyformed Wood Company Logo
Fashion Drawing: Blue and Red Dress with Green Bolero Jacket
Western Dining at the Nut Tree (Variant 1) Postcard
Study for Leg Splint Sculpture
“It’s Child’s Play” Postcard
“The Sofa by Charles Eames” Postcard
Fiberglass Side Shell
“Love Charles” Postcard
682 Lounge Chair with Arms
EA423 Eames Soft Pad Ottoman
Photograph of Charles from College
CTW (Coffee Table Wood)
“New York” Toy Boat
Walnut Stool, 411
Molded Plywood Table with Tubular Aluminum Base
Spring Backstage (
683 Reclining Chair Frame
Richter’s Anchor Blocks
Rebus Christmas Card
American Abstract Artists Exhibition Catalog, 1939
Untitled, 1938
Photograph of Steinberg Drawing Projected onto Hedda Sterne Tilting Face
EOG: The Executive Office Group Postcard
Photograph of Charles at Laclede Steel Company
Fiberglass Side Shell
Western Dining at the Nut Tree (Variant 3) Postcard
DSX-36 Secretarial Pull-Up Chair
DTW-50 Table
St. Mary’s Church at Christmas Postcard
Carved Base Antler 4 Prototype
Fiberglass Side Shell
IBM: Lakeside Postcard
Paper Doll Set: A Woman with Four Dresses
Velocipede Tricycle
Bird Kite with Legs
Airplane Pilot’s Seat
“This is Bett’s” Postcard
Child’s Stool
“Keep Out of the Kazam Please” Note
House & Garden magazine, November 1946
Side Rail 2
Studies for Leg Splint Sculpture
St. Mary’s Church in Arkansas
“16 Animali” Enzo Mari Puzzle
House of Cards Mock-up Process (Heart Cards)
EA 323 Ottoman
Fiberglass Side Shell
Fashion Drawing: Black Pleated Day Dress
Paper Template for Plywood Sculpture
La Chaise Images on Aluminum Presentation Panel
The Eames Collection contains more than 40,000 objects spanning the expansive creative practice of Ray and Charles Eames. Drawn largely from the Eames Office at 901 Washington Boulevard in Venice, California, the holdings—which the Eames family asked the Institute to safeguard—include one-of-a-kind design prototype parts and pieces, early examples of their iconic furniture, extensive photographs, correspondence, tools, ephemera, and personal artifacts collected over decades of experimentation, travel, and collaboration. Together, these materials provide the world’s most intimate view into the Eameses’ work, which shaped, and continue to shape, modern design across furniture, architecture, exhibition design, film, and visual communications.
The Collection exists today because Lucia Eames as the owner and Llisa Demetrios as registrar spent decades caring for and archiving the materials that remained outside institutional archives. Believing Ray and Charles’s iterative process to be as important as their finished work, incredible care has been put into accounting for virtually every piece of material at the closure of the Eames Office in Venice, California. Today, the Eames Institute stewards the Collection through ongoing cataloging, preservation, research, and public engagement, ensuring that this remarkable archive is accessible to current and future generations at the Eames Archives, Eames Ranch, and the Institute’s forthcoming museum, as well as through loans to peer institutions.
In their final years of furniture design, the Eameses reimagined earlier works using new materials and technology to meet the evolving needs of modern workplaces.
The Eameses’ eclectic collection of toys goes beyond fun and games, it also offers a window into the couple’s singular approach to design.
In the summer of 1950, the artist Saul Steinberg spent a day at play within the Office of Charles and Ray Eames resulting in an iconic collaboration.
Eames chairs have always stolen the spotlight, but an adjacent thirty-year legacy of table designs demonstrates the designers’ same thoughtful approach to problem-solving.
From scraps and scribbles to maquettes and models, the Eames Collection contains countless examples that illustrate Ray Eames’s unique working methods and iconic collaborations.
The Eames Aluminum Group originated as outdoor furniture for a specific architectural commission, but has subsequently become one of the most recognizable and successful Eames designs.
From promotional tools created by the Eameses, to communication devices from a bygone era, postcards offer a unique window into Ray and Charles’s world.
The Eameses’ quest to create a comfortable and affordable shell chair from a single material led to two iconic designs—and limitless permutations.
As World War II raged overseas, Ray and Charles turned their practice toward the war effort, and in the process learned lessons that set the stage for a life in design.
By the time Ray Kaiser met Charles Eames in 1940 each had led remarkable lives marked by restless curiosity and creative pursuits.