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Front angled view of an Eames Family Seating Fiberglass Shell Prototype for a four-seat sofa designed by the Eameses.

Family Seating Fiberglass Shell Prototype

Front view of the Eames EC434 Adjustable Tilt-Swivel Armchair with black Naugahyde back and Hopsak fabric seat upholstery.

EC434 Adjustable Tilt-Swivel Armchair

1964 New York World’s Fair IBM Pavilion postcard rendering of the steel “trees” encircling an ovoid theatre at the pavilion.

IBM Pavilion, New York World’s Fair 1964–65 Postcard

Front on view of the Eames MSX-1 side chair with a fiberglass shell that is upholstered in Girard Khaki Hopsak fabric.

MSX-1 Upholstered Side Chair

Three quarter view of the Eames DTW-30 Table with a plastic laminate top and solid birch dowel legs.

DTW-30 Table

Aluminum spreader with a curve and less flared ends was used to hold fabric taut and as a handle for the back of the chair.

Cast Spreader 1

Fashion drawing of an evening dress is black and gray by Ray using metallic ink, watercolor, and graphite on paper.

Fashion Drawing: Evening Dress in Black and Gray

Curved aluminum spreader with flared bends helped to hold fabric taut and served as a handle for the back of the chair.

Cast Spreader 2

Front on view of the Eames Child’s Stool in Spruce plywood.

Child’s Stool

Ray Eames illustration of a blue tea pot and mug with the message, “The Best Tree Tea”.

“The Best Tree Tea” Illustration

Scale study in graphite and color pencil on paper for the Plyformed Wood Company Logo by Ray Eames.

Scale Study for Plyformed Wood Company Logo

Fashion drawing by Ray Eames features a blue and red patterned dress with a green bolero jacket.

Fashion Drawing: Blue and Red Dress with Green Bolero Jacket

Postcard featuring the dining room of The Nut Tree filled with Eames chairs, Alexander Girard draped textiles, and patrons.

Western Dining at the Nut Tree (Variant 1) Postcard

Ink drawing by Ray Eames for a sculpture using the contours of the leg splint pattern.

Study for Leg Splint Sculpture

Herman Miller postcard with several children among Eames DSS chairs side by side and a tall stack of DSS chairs on the left.

“It’s Child’s Play” Postcard

Herman Miller postcard for the Eames S-73 Sofa with Alexander Girard upholstery, set among paper kites and Eames LTR tables.

“The Sofa by Charles Eames” Postcard

Front view of an Eames Fiberglass Side Shell in Sea Foam Green.

Fiberglass Side Shell

Postcard featuring the exterior of the Winter Palace building at the Hermitage Museum.

“Love Charles” Postcard

Front view of the Eames 682 Lounge Chair with Arms upholstered in beige Saran textile with a steel base.

682 Lounge Chair with Arms

Angled side view of the Eames Soft Pad Ottoman upholstered in black leather with a metal base.

EA423 Eames Soft Pad Ottoman

Portrait of Charles Eames from the fall of 1925 when he was a student at Washington University.

Photograph of Charles from College

Eames round top molded walnut plywood coffee table, also known as the CTW (coffee table wood).

CTW (Coffee Table Wood)

Angled top-down view of a hand-painted tin boat bearing the US flag and named “New York” that was collected by the Eameses.

“New York” Toy Boat

Front view of the Eames 411 stool made from solid walnut with curved and geometric forms cut into the columnar shaped stool.

Walnut Stool, 411

Side view of the first table Charles and Ray Eames designed together, it has a molded plywood top and tubular aluminum base.

Molded Plywood Table with Tubular Aluminum Base

Oil painting by Charles Eames of the St. Louis Municipal Opera backstage where he also designed and constructed stage sets.

Spring Backstage (St. Louis Municipal Opera)

Front view of the Eames 683 Reclining Chair Frame made of aluminum with a steel base.

683 Reclining Chair Frame

Angled top view of a stone construction kit called “Richter’s Anchor Blocks” in a wooden box with an image of a house.

Richter’s Anchor Blocks

Rebus Christmas card by Charle Eames, using a combination of pictures and individual letters to represent words and phrases.

Rebus Christmas Card

American Abstract Artists catalog which provides a list of the exhibitions organized by the group since their establishment.

American Abstract Artists Exhibition Catalog, 1939

Front view of a colorful 25” x 30” abstract painting by Ray Eames.

Untitled, 1938

Portrait by Charles Eames of Saul Stenberg’s wife, Hedda Sterne, with one of Saul’s drawings projected onto her.

Photograph of Steinberg Drawing Projected onto Hedda Sterne Tilting Face

Herman Miller promotional postcard for George Nelson’s Executive Office Group furniture includes an Eames DAT-1 desk chair.

EOG: The Executive Office Group Postcard

Charles Eames as a teenager, seated in front of a large platform holding heavy industrial machinery at Laclede Steel Company.

Photograph of Charles at Laclede Steel Company

Front view of an Eames Fiberglass Side Shell color test sample in navy blue.

Fiberglass Side Shell

Interior view of the Nut Tree restaurant dining room featuring many patrons sitting on Eames molded fiberglass armchairs.

Western Dining at the Nut Tree (Variant 3) Postcard

Front view of the Eames Secretarial Pull-Up Chair with yellow Naugahyde and woven Hopsack textile and a steel base.

DSX-36 Secretarial Pull-Up Chair

Front view of the DTW-50 birch veneer coffee table with wood dowel legs designed by Ray and Charles Eames.

DTW-50 Table

Postcard of St. Mary’s church, designed by Charles Eames, including the altar, a mural, and colorful stained glass windows.

St. Mary’s Church at Christmas Postcard

Eames Aluminum Group curved wooden antler for the reclining chair. It kept the textile taut while also attaching to the base.

Carved Base Antler 4 Prototype

Front view of an Eames Fiberglass side shell in the color “Greige”.

Fiberglass Side Shell

Postcard featuring the IBM pavilion that Eliot Noyes designed for the 1968 World’s Fair in San Antonio.

IBM: Lakeside Postcard

A paper doll and her fashionable wardrobe of four outfits rendered by Ray in ink, watercolor, and graphite on paper.

Paper Doll Set: A Woman with Four Dresses

Side view of a metal and wood Victorian-style tricycle with large spoked wheels and a carriage seat.

Velocipede Tricycle

Front view of a stylized colorful bird kite with outstretched wings and legs that is made of paper, ink, string, and bamboo.

Bird Kite with Legs

Front view of the 1948 Eames designed molded birch plywood airplane seat prototype that was never manufactured.

Airplane Pilot’s Seat

Postcard from the retailer “Bett’s” featuring an Eames LCM chair, a mid-century table, and several decorative accessories.

“This is Bett’s” Postcard

Front angled view of the stackable Eames Child’s Stool in birch plywood with dark aniline dye.

Child’s Stool

Note and drawing by Charles Eames stating, “Keep Out of the Kazam Please” to warn people not to sit on the Kazam! Machine.

“Keep Out of the Kazam Please” Note

1946 House & Garden magazine features the Eames Child’s Chair on their Christmas cover, among other gift items.

House & Garden magazine, November 1946

Eames Aluminum Group reclining chair side rail made of aluminum that has slightly rounded curves and one bend.

Side Rail 2

Two exploratory illustrations by Ray Eames made in ink and graphite based on the leg splint’s organic outline.

Studies for Leg Splint Sculpture

Front view of St. Mary’s Church designed by Charles Eames with several slender stained glass windows and an arched doorway.

St. Mary’s Church in Arkansas

Top down back view of the “16 Animali” puzzle by Italian designer Enzo Mari. It contains cut out shapes of 16 animals.

“16 Animali” Enzo Mari Puzzle

Photo of a playing card including a single red heart against a white background

House of Cards Mock-up Process (Heart Cards)

Front angled view of the Eames EA323 Ottoman upholstered in orange hopsak textile and a metal base.

EA 323 Ottoman

Front view of an Eames Fiberglass Side Shell color test sample in yellow dark.

Fiberglass Side Shell

Ray Eames fashion drawing of a patterned black dress with pleats and a bow at the waist.

Fashion Drawing: Black Pleated Day Dress

Front view of a brown paper template with fabrication notations for a molded plywood sculpture by Ray and Charles Eames.

Paper Template for Plywood Sculpture

Aluminum presentation panel for the Eames La Chaise with specifications, technical drawing, and people sitting on the chaise.

La Chaise Images on Aluminum Presentation Panel

About the Eames Collection

The Eames Collection contains more than 40,000 objects spanning the expansive creative practice of Ray and Charles Eames. Drawn largely from the Eames Office at 901 Washington Boulevard in Venice, California, the holdings⁠—which the Eames family asked the Institute to safeguard⁠—include one-of-a-kind design prototype parts and pieces, early examples of their iconic furniture, extensive photographs, correspondence, tools, ephemera, and personal artifacts collected over decades of experimentation, travel, and collaboration. Together, these materials provide the world’s most intimate view into the Eameses’ work, which shaped, and continue to shape, modern design across furniture, architecture, exhibition design, film, and visual communications.

The Collection exists today because Lucia Eames as the owner and Llisa Demetrios as registrar spent decades caring for and archiving the materials that remained outside institutional archives. Believing Ray and Charles’s iterative process to be as important as their finished work, incredible care has been put into accounting for virtually every piece of material at the closure of the Eames Office in Venice, California. Today, the Eames Institute stewards the Collection through ongoing cataloging, preservation, research, and public engagement, ensuring that this remarkable archive is accessible to current and future generations at the Eames Archives, Eames Ranch, and the Institute’s forthcoming museum, as well as through loans to peer institutions.

All Exhibitions