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Herman Miller postcard with several children among Eames DSS chairs side by side and a tall stack of DSS chairs on the left.

“It’s Child’s Play” Postcard

Side view of a colorful toy boat made from wood, paper, metal and paint with the name “Columbia” on the side in red.

“Columbia” Toy Boat

Side view of the Eames EA408 Soft Pad Chair upholstered in black leather with a steel base.

EA208 Swivel Armchair

Angled side view of the Eames Soft Pad Ottoman upholstered in black leather with a metal base.

EA423 Eames Soft Pad Ottoman

Front angled view of the stackable Eames Child’s Stool in birch plywood.

Child’s Stool

Front view of a study for the Eames Side Shell in brown paper created by Ray and Charles Eames.

Paper Study for Side Shell

Rebus Christmas card by Charle Eames, using a combination of pictures and individual letters to represent words and phrases.

Rebus Christmas Card

Side view of the EC428 Operational Stool with fiberglass seat upholstered in black leather and metal base with casters.

EC428 Operational Stool

Side view of toy steam boat with many cardboard layers that can be fanned out to show more detail of the boat’s interior.

Toy Steam Boat

Front view of a red, green, and yellow metal balance toy with an acrobat on a ladder holding a large arc for balance.

Balance Toy

Side view of a metal and wood Victorian-style tricycle with large spoked wheels and a carriage seat.

Velocipede Tricycle

Angled top-down view of a hand-painted tin boat bearing the US flag and named “New York” that was collected by the Eameses.

“New York” Toy Boat

Front view of the underside of an Eames Red Aniline Dye CTW birch plywood round coffee table.

Red Aniline CTW (Coffee Table Wood)

Front angled view of an Eames Family Seating Fiberglass Shell Prototype for a four-seat sofa designed by the Eameses.

Family Seating Fiberglass Shell Prototype

Oil painting by Charles Eames of the St. Louis Municipal Opera backstage where he also designed and constructed stage sets.

Spring Backstage (St. Louis Municipal Opera)

Front view of a prototype of the Eames Soft Pad Armchair on a Drafting Chair Base with casters and tan upholstery.

Eames Soft Pad Armchair on Drafting Chair Base Prototype

Top down view of a black and orange bird kite made from paper, ink, string and bamboo.

Black Bird Kite

Portrait of a drawing of a woman by Saul Steinberg projected onto his wife Hedda Sterne’s face with an Eames The Toy.

Photograph of Steinberg Drawing Projected onto Hedda Sterne with The Toy in Background

Side view of an English top made of wood that is painted with dark blue paint.

Blue and White English Top

A label for the Molded Plywood Division at the Evans Products Company which was created to be attached to Eames products.

Splint Label for Evans Products Company

Front view of an Eames EC176 Loose Cushion Armchair upholstered in brown Naugahyde and Milnilo textile.

EC176 Loose Cushion Armchair (Glides)

Scale study in graphite and color pencil on paper for the Plyformed Wood Company Logo by Ray Eames.

Scale Study for Plyformed Wood Company Logo

Poster for the Galerie Maeght exhibition in 1953 features illustrations of turreted buildings by artist Saul Steinberg.

Steinberg Galerie Maeght Poster (1953)

Side view of the first table Charles and Ray Eames designed together, it has a molded plywood top and tubular aluminum base.

Molded Plywood Table with Tubular Aluminum Base

Front view of the Eames EA322 Reclining Arm Chair upholstered with black textile and featuring a metal base.

EA322 Reclining Arm Chair

Front view of an Eames PSC-06, Leather Upholstered Pivoting Side Chair with an aluminum base, casters, and steel column.

PSC-06, Pivoting Side Chair, Upholstered

Front view of the Eames EC328 Secretarial Chair upholstered in purple Naugahyde with an aluminum base and casters.

EC328 Secretarial Chair (Naugahyde)

Front view of the Eames Aluminum Group 680 Upholstered Dining Chair with aluminum frame and steel base.

680 Dining Chair ⁠— Prototype Upholstery 1

Front view of a stylized colorful bird kite with outstretched wings and legs that is made of paper, ink, string, and bamboo.

Bird Kite with Legs

Front view of an Eames Fiberglass Side Shell color test sample in yellow dark.

Fiberglass Side Shell

Front view of an Eames MKX-1 upholstered wire chair in tan leather with a metal base.

MKX-1 Upholstered Wire Chair

Front view of a Mexican wooden top with black and white painted stripes that Ray and Charles Eames collected.

Mexican Top

Front angled view of the Eames EA323 Ottoman upholstered in orange hopsak textile and a metal base.

EA 323 Ottoman

Front view of the Eames MKX-1 “D” Wire Chair with Harlequin upholstery.

MKX-1 “D” Wire Chair

Front on view of a Fiberglass Eames DSS-1 Side Shell upholstered in black Naugahyde with a metal base.

DSS-1 Stacking Side Chair

Top down view of a vintage board game with a circus theme, detailed illustrations of horses, and horse-shaped game pieces.

Le Cirque Board Game

Side view of the Eames EC328 Secretarial Chair with orange fabric upholstery and a black metal base.

EC328 Secretarial Chair (Fabric)

Front view of the Eames 412 stool made from solid walnut with several curved forms cut into the columnar shaped stool.

Walnut Stool, 412

EA216 Swivel Lounge Armchair

Front view of an Eames DKR-1 “C” upholstered wire chair with a steel rod base and featuring worn Girard harlequin textile.

DKR-1 “C” Upholstered Wire Chair

Angled side view of the Eames EC123 Adjustable Stool Swivel Side Shell drafting chair with red Naugahyde upholstery.

EC123 Adjustable Stool Swivel Side Shell

“Christmas Greetings from the Chomeaux” Christmas Card

Print of the Mont-Saint-Michel abbey church in Normandy, France, made from a sketch by Charles Eames.

Mont-Saint-Michel, Normandy, France

Wooden Japanese top with painted concentric circles that was collected by the Eameses.

Japanese Top

Front view of an Eames Fiberglass Side Shell that was an earlier version which was more thin than the final shells.

Fiberglass Side Shell

Angled front view of a Japanese cast iron top with a molded spiral shape. This top was collected by Ray and Charles Eames.

Beigoma Top

Front view of a Handmade Fiberglass Study for Side Shell designed by Ray and Charles Eames.

Handmade Fiberglass Study for Side Shell

Front view of a yellow Eames Fiberglass Side Shell.

Fiberglass Side Shell

Front view of an Eames Fiberglass Side Shell in Sea Foam Green.

Fiberglass Side Shell

DSX-1 Upholstered Side Chair

A fake diploma created by artist Saul Steinberg for Charles Eames with a blank orange seal and calligraphy that is illegible.

Diploma for Charles Eames

Front view of an Eames Fiberglass Side Shell color-test sample in Aqua Blue.

Fiberglass Side Shell

Front view of a stylized drawing of a nude woman by artist Saul Steinberg on an Eames fiberglass armchair with a metal base.

Fiberglass Armchair with Steinberg Nude

Top-down view of a stylized goldfish kite made from paper, ink, string, and bamboo, that was collected by the Eameses.

Goldfish Kite

Top down view of the Chutes and Ladders board game, with a grid of squares in blue and tan and a red border.

Chutes & Ladders/Red Riding Hood Game

Front view of the light blue gray Eames Fiberglass shell sample.

Fiberglass Side Shell

Eames Contract Storage brochure in blue, white, and black, with a grid of nine boxes that showcase the product options.

ECS Brochure

Fashion drawing by Ray Eames features a blue and red patterned dress with a green bolero jacket.

Fashion Drawing: Blue and Red Dress with Green Bolero Jacket

Ray Eames fashion drawing of a patterned black dress with pleats and a bow at the waist.

Fashion Drawing: Black Pleated Day Dress

Front view of a sculpture designed by Ray Eames cut from a mahogany splint and stained brown.

Small Leg Splint Sculpture

About the Eames Collection

The Eames Collection contains more than 40,000 objects spanning the expansive creative practice of Ray and Charles Eames. Drawn largely from the Eames Office at 901 Washington Boulevard in Venice, California, the holdings⁠—which the Eames family asked the Institute to safeguard⁠—include one-of-a-kind design prototype parts and pieces, early examples of their iconic furniture, extensive photographs, correspondence, tools, ephemera, and personal artifacts collected over decades of experimentation, travel, and collaboration. Together, these materials provide the world’s most intimate view into the Eameses’ work, which shaped, and continue to shape, modern design across furniture, architecture, exhibition design, film, and visual communications.

The Collection exists today because Lucia Eames as the owner and Llisa Demetrios as registrar spent decades caring for and archiving the materials that remained outside institutional archives. Believing Ray and Charles’s iterative process to be as important as their finished work, incredible care has been put into accounting for virtually every piece of material at the closure of the Eames Office in Venice, California. Today, the Eames Institute stewards the Collection through ongoing cataloging, preservation, research, and public engagement, ensuring that this remarkable archive is accessible to current and future generations at the Eames Archives, Eames Ranch, and the Institute’s forthcoming museum, as well as through loans to peer institutions.

All Exhibitions